Tracing the Roman to its roots: an uppercase true to the Capitalis Quadrata, and lowercase inspired by early humanist script. Lars Bergquist designing. Special pricing available for a limited time.
A unique historical chimera: a fraktur sporting a true-drawn cursive! A design by Lars Bergquist... of course. Special pricing available for a limited time.
The latest by the one-and-only Lars Bergquist. Inspired by an early Christian inscription — in sans serif capitals! — in the porch of Santa Maria Cosmedin in Rome. Special pricing available for a limited time.
Orison A one-of-a-kind semi-uncial with minuscules. Lars Bergquist.
An exotic and diverse volume inspired by the oeuvre of Nicolas Kis (as well as other historical sources from Hungary and eastern Europe). Twelve titling and decorative fonts including swash, 'smallercaps', floralcaps, engraved caps, ligatures, ornaments, and cameo. Two-and-a-half years in the making. Design by Gábor Kóthay, with editing and family building by RXC.
A foundational mono in serif and sans styles. Originally commissioned as a core font by a well-known tech company; now expanded and made available for general use. Design by Gábor Kóthay and RXC.
Display type echoing contemporary furniture design. The design, which was showcased in the February '03 issue of I.D. Magazine, consists of five fonts starting with a delicate mono-filament and scaling up to a hefty black. A range of alternate glyphs is included in each font. Created by Stefan Kjartansson and RXC.
A superlative sans by Stefan Hattenbach and RXC. The system features an ample weight span and a full complement of extras: smallcaps, a fraction kit, ordinals, alternates, f-ligatures, pictograms, buttons, pattern tiles, as well as tabular, oldstyle, uppercase- & lowercase-lining figures.
A late-Baroque fraktur by Lars Bergquist, based on the titling of the Swedish King Charles XII's Bible printed in 1703.
A careful study of Roman imperial inscriptions, free from the exaggerated contrast and over-large serifs of many other typographic interpretations of the capitalis quadrata.
A three-font typeface by Lars Bergquist, based on Renaissance models but with inherently-calligraphic construction. Awarded a Certificate of Excellence in "Bukva:Raz!", the UNESCO-sponsored international type competition in 2001-02.
Typefaces inspired by informal, painted Roman wall writing of the first
centuries AD. Design by Lars Bergquist.
A stylized hybrid of OCR and techno-modular aesthetics. Reform originates from the hand of Anuthin Wongsunkakon, with Italic co-design by Christian Schwartz; and editing by RXC.
A unique and urbane typeface by Stefan Hattenbach.
An original type system with sturdy Dutch roots. Includes a rugged variant for small-point, high-rag environments; super- and subscript numeral sets; and a black sans weight for headings. Although Leyden has been built with a special eye toward reference books, it is perfect wherever clear reading and typographic versatility are required. Design by Lars Bergquist.
A steelplate script inspired by a sampling of Victorian orthography. The complete set includes a variant lowercase; a distinct group of ornate & simplified alternates and end-strokes; old style and lining numerals; plus Anglia Olde, an antiqued re-interpretation of the three base fonts. Design by Gábor Kóthay; with supplementary alternates by RXC.